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Josephine Necklace, The Beauharnais Emeralds

Josephine Necklace, The Beauharnais Emeralds, French, 1806. Probably made by Nitot and Fils of Paris. Photo: Angela Moore.  V&A Museum
 

The William & Judith Bollinger Jewellery Gallery Opens at the V&A

The gallery will display 3,500 jewels from the V&A's collection,
one of the finest and most comprehensive in the world.

   

 

The V&A will open the new William and Judith Bollinger Jewellery Gallery on 24 May 2008. The gallery will display 3,500 jewels from the V&A’s jewellery collection, one of the finest and most comprehensive in the world.

The new gallery will centre principally on the story of European jewellery during the last 800 years. On show will be jewels that reflect the splendour of courtly life, some of the finest designs from the great jewellery houses of the 20th century and jewels designed by important contemporary makers.

Empress Josephine Brooch, Comb and Earrings

Brooch, Comb and Earrings of enamelled gold set with cornelian intaglios, French, about 1808. Made for the Empress Josephine. Private collection on loan to the V&A.
Photo: V&A Images.  V&A Museum

 
 

Historic highlights include jewelled pendants given by Queen Elizabeth I to her courtiers, and diamonds worn by Catherine the Great of Russia. The age of Napoleon is represented by the famous Beauharnais Emeralds, the gift of Napoleon to his adopted daughter, and by tiaras and ornaments worn by the Empress Josephine.

A major donation by William Bollinger has enabled a four-year renovation of the V&A’s jewellery gallery. The architect, Eva Jiricna, has redesigned the space, introducing a central glass spiral staircase rising to a new mezzanine floor. Videos and interactives, in the gallery and on the V&A website, will explore the techniques and history of jewellery, providing over 7000 images of jewels.

Spray of laurel, French, about 1805.

Spray of laurel, French, about 1805. Private collection on loan to the V&A. Photo: V&A Images.  V&A Museum

New additions to the displays include a superb group of jewellery by Lalique, and Lady Mountbatten’s ‘tutti frutti’ ruby, sapphire, emerald and diamond bandeau, which she bought from Cartier in 1928. The gallery will provide the first opportunity to see the jewels given by New York collector and dealer, Patricia V. Goldstein, which have significantly added to the V&A’ s collection of jewels by Tiffany and Cartier.

The gallery will display exquisite pieces made by some of the most prestigious designers of New York, Paris, London and St Petersburg. There are two diamond tiaras by Cartier, a rare plique-à-jour enamel and pearl bracelet by Boucheron and a gold Chaumet bangle with a core of rubies and diamonds. Among the objects by Fabergé is an enamelled snuff box with the diamond monogram of Tsar Nicholas II.

Bodice ornament, English, about 1850. Bodice ornament, English, about 1850. Brilliant- and rose-cut diamonds, set in silver backed with gold. The three leaf and berry sprays made earlier, about 1830. Cory Bequest. Photo: V&A Images

 

The V&A’s collection is outstandingly rich in 19th century jewellery. There are sprays of diamonds mounted on tremblers as well as revivalist jewellery in the archaeological and renaissance styles. New to the gallery will be the Judith H. Siegel gift of jewellery by Castellani and Giuliano which includes the Helen of Troy necklace designed by Sir Edward Poynter.

Over 140 living goldsmiths and jewellers are represented in the gallery. The contemporary work ranges from ring sets by Wendy Ramshaw to a carved pin in recycled acrylic by Peter Chang and a vivid papier-mâché neckpiece by Marjorie Schick. Another addition will be a selection from the Royal College of Art Visiting Artists Collection.

Cartier Tiara The Manchester Tiara, French, 1903. Designed by Cartier. Accepted by HM Government in lieu of Inheritance Tax and allocated to the V & A Museum, 2007. Photo: Angela Moore.  V&A Museum.

 

Mark Jones, Director of the V&A, said: 'The power of jewels lies in their beauty and their ability to stir human emotions. The V&A has one of the finest collections of jewellery, and the imagination and passion of William and Judith Bollinger have allowed us to create a gallery worthy of this collection’.

William and Judith Bollinger said: ‘It has been an enormous pleasure working with the V&A's talented staff and consultants to create a truly unique gallery. We hope it provides inspiration to all who visit – whether craftsmen, aspiring artists or simply lovers of beauty.’


The William and Judith Bollinger Jewellery Gallery, designed by Eva Jiricna, is part of the V&A’s Future Plan to transform the Museum through new galleries and beautiful redisplays of its collections. For more information visit: www.vam.ac.uk/

 
 

 

 

Victoriana Magazine - August 2006 issue

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